Jens Lekman: The Village May 25th
May 29th, 2008The last time Foggy Notions had Jens play here, it was a stripped down affair in Whelans. Just him, backed up by his guitar, a bongo drum and a very special appearance by one Owen Pallett playing violin on a few songs. It was a remarkable gig. It was intimate, heartfelt and touched with more than a tiny bit of Christmas magic, no doubt helped by the fact that Whelans was newly redecorated and smelled of fresh pine-wood. He entertained, he charmed, and he pretty much had a capacity crowd hanging off his every utterance. Tonight, Jens returns to Dublin to what is perhaps an unfair weight of expectation.
Certainly, memories of the previous performance are fresh for many of the audience here, and I’m sure friends have been dragged along in tow with effusive tales of ‘that night’. However, as any seasoned gig-goer knows, the conditions that conspire for gigs that special are mercurial and lightning sadly rarely strikes twice. This, despite the presence of Jens’ full band (dressed up in varying monochrome colours like female versions of those disturbing Aussie TV children’s characters The Wiggles) and a sampler. Thats not to say its a bad gig. It isn’t. It just feels a little flat, rehearsed, and at times the band’s twee capers make me want to watch through my fingers in embarrassment. For example, at one point they all down their instruments, stretch out their arms and run circles around the stage pretending to be airplanes. Its like watching a community drama group getting in touch with their inner children. Its just a little too much for me, a cutesy contrivance too far, and I’m an avowed Belle and Sebastian fan.
However, there are plenty of highlights. ‘Maple Leaves’ and ‘You are the Light’ are delivered in a particularly rousing fashion by Jens, benefiting from the big band treatment. The full on version of ‘Black Cab’ makes an interesting counterpoint to the hushed version we were treated to last Christmas and thanks to the sampler ‘It was a Strange Time in my Life’ comes complete with the deeply peculiar duck-child warble that spooks the shit out of me. I guess tonight is ultimately about the type of music Jens trades in and how honest he can be to that. He trades in sincerity wrapped up in showmanship. His songs demand his and our full attention. Tonight he’s possibly tired, at the end of a long tour, and perhaps going through the motions. Because of this, what felt so real at Christmas now feels a little vaudeville. The original spirit is slightly lacking, making us more aware of the shiny, showy shell.



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